Following good reviews for the revival of Andrew Lloyd Webber’s Cats at the London Palladium, rumours are circulating that producers are planning to extend the run beyond its current booking period which ends on 7 February. Continue reading
As 2014 draws to a close, we reflect on our favourite moments in the West End this year…
Wicked, the ‘untold story of the witches of Oz’, celebrates its eighth birthday in the West End today.
As the football season kicks off in earnest with the Premier League’s first round of matches, we examine the main ticketing difference between the Premier League and the West End: the season ticket.
When a show is hit by bad news, how do you react? Crises sort the wheat from the chaff and the inexperienced or timid can be overwhelmed. But the truly successful not only cope with it, but make a virtue of it.
Meet Lucy Williams: Sound Number 2 on the London Production of Phantom of the Opera.
The producers of Dirty Rotten Scoundrels appear to be re-positioning the show – emphasising elegance and dance and de-emphasising the comedy. Will this bring greater box office success? And what does this tell us about the state of the West End?
When I Can’t Sing was put out of its misery at the London Palladium and We Will Rock You ended its 12-year residency at the Dominion, two of London’s five largest theatres went dark at the same time for the first time in decades. Continue reading
With an evening to spare in central London tonight, I took advantage of a great seat price for Dirty Rotten Scoundrels the musical at the Savoy Theatre. What are the best bang-for-your-buck-seats at the Savoy?
Andrew Lloyd Webber’s next project may launch on Broadway rather than London, despite the generally-accepted view that economics are kinder in London. Why?
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