At a performance of Wolf Hall recently, I took a few photos of the cast during the curtain call. An usher ran over and shouted “no photographs!”, so I stopped. She then came up to me and said “I need to see you delete the photos all the way back to a photo that is not in this theatre”. As I had a dinner reservation only ten minutes later, I could not be bothered to get into a protracted argument and did what she demanded. I did, however, ask why I needed to delete the photos. She said “because they are the property of the Royal Shakespeare Company”.
The producers of Dirty Rotten Scoundrels appear to be re-positioning the show – emphasising elegance and dance and de-emphasising the comedy. Will this bring greater box office success? And what does this tell us about the state of the West End?
With an evening to spare in central London tonight, I took advantage of a great seat price for Dirty Rotten Scoundrels the musical at the Savoy Theatre. What are the best bang-for-your-buck-seats at the Savoy?