The producers of Dirty Rotten Scoundrels appear to be re-positioning the show – emphasising elegance and dance and de-emphasising the comedy. Will this bring greater box office success? And what does this tell us about the state of the West End?
The producers of Dirty Rotten Scoundrels appear to be re-positioning the show – emphasising elegance and dance and de-emphasising the comedy. Will this bring greater box office success? And what does this tell us about the state of the West End?
When I Can’t Sing was put out of its misery at the London Palladium and We Will Rock You ended its 12-year residency at the Dominion, two of London’s five largest theatres went dark at the same time for the first time in decades. Continue reading